Module title: Intellectual Property: Copyright and Related Rights Module credit weighting: 30 credits Module code: CLT630 Year of assessment: Resit Essay 2016-17 Assessment value of this piece: 100% Word limit (to exclude footnotes, references and bibliography) 5,000 words

Module title: Intellectual Property: Copyright and
Related Rights
Module credit weighting: 30 credits
Module code: CLT630
Year of assessment: Resit Essay 2016-17
Assessment value of this piece: 100%
Word limit
(to exclude footnotes, references and
bibliography)
5,000 words

Submission date: Monday 21st August at 1.00 pm (13.00)
GMT/BST
General information: Work is to be typewritten and must include
an accurate word count and bibliography.
Refer to the student handbook on Learning
Central for further rules on essay
presentation.
It is expected that the answers to the
following questions will necessitate private
research and reading beyond the material
listed on the seminar sheets.
Instructions to students: Please read the following essay titles
carefully. Failure to properly address the
question in the exact terms in which it is set
may lead to a fail mark.
Please answer ONE question.
Method of submission: Online via the submission function for this
module on Learning Central
Work submitted in hard copy or via email will
not be accepted.
Format of Submission: Work must be submitted in PDF format.
All assessed coursework is to be typewritten
and must contain an accurate word count,
footnotes and bibliography.
It is expected that the answer to the following
questions will necessitate private research
and reading substantially beyond the
material listed in the reading assignments.
Please answer ONE question
Question 1
Please answer ALL parts
1 a)
Critically discuss the introduction of Database Right into law in the European Union following
Directive 96/9 EC.
1 b)
Sioned is an artist whose work involves combining objects and people in particular environments –
these are referred to as “installations” in the art world. Typically her work might involve the
construction of an object from everyday articles such as desks, computer screens and items of
household equipment, held together by a structure created by Sioned out of wood, steel or plastic.
These constructed objects sometimes resemble human or animal forms, or look like houses or
natural features. They are not constructed to be permanent. What Sioned does is to build the object
at a chosen location, and then take photographs and video of it in that location, together with
people. The photographs form a record of the work and are on display in galleries around the
country, as well as being reproduced in books and magazines.
Sometimes the people are standing still and the only record of the installation is the photography,
but movement and sound form part of some of Sioned’s installations. One example was a piece
commissioned by Cardiff Council to publicise the National Eisteddfod, which will be held in
Cardiff bay in 2017. This involved a structure resembling a choir of singers constructed from
refrigerators together with a number of actors, each contained within a sound-proof glass box,
singing a selection of traditional Welsh folk songs (that could not be heard). It was called “Hiraeth”
(“hiraeth” is a Welsh word meaning nostalgic longing). Video footage of the installation was taken
and a continuous loop of this video, together with still photographs of the installation, is now on
show in the Tate Modern gallery in London, with Sioned credited as the artist.
(i) Discuss the intellectual property rights that may exist in “Hiraeth” and in Sioned’s art in

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