WHAT ROLE DID THE USE OF PSYCHOACTIVE DRUGS PLAY IN THE SOCIO/MUSICAL CULTURE OF THE SAN FRANCISCO BAY AREA IN THE 1960’S?

WHAT ROLE DID THE USE OF PSYCHOACTIVE DRUGS PLAY IN THE SOCIO/MUSICAL CULTURE OF THE SAN FRANCISCO BAY AREA IN THE 1960’S?

What role did the use of psychoactive drugs play in the socio/musical culture of the San Francisco Bay Area in the 1960’s?

Lesson 5 – San Francisco, the Dead, the Doors, The Who, and Jimi Hendrix

Reading Assignment and Lesson Objectives

Students are encouraged to repeat the listening examples (located in the Listening Links for Lesson 5) as necessary. It would be counterproductive to listen to this great music only once.

Chapter 9 – The Who

Chapter 14 – The San Francisco Sound

Chapter 15 – Guitar Kings

1. Read Friedlander’s chapter about the San Francisco Bands and the “San Francisco Sound”. What kind of social environment was there in San Francisco, California during the 1960’s? List and describe some of the significant musical and cultural departures from mainstream pop/rock music that were actively present in the music of the San Francisco Bands.

2. What role did the use of psychoactive drugs play in the socio/musical culture of the San Francisco Bay Area in the 1960’s?

3. Listen and describe each of the following recordings of rock bands from San Francisco:

a) Somebody To Love – Jefferson Airplane, Grace Slick vcls

b) Combination of the Two – Big Brother & the Holding Company

c) The Ballad of You & Me & Pooneil – Jefferson Airplane

d) The Golden Road (to Unlimited Devotion) – The Grateful Dead

e) It’s No Secret – Jefferson Airplane, Marty Balin vcls

f) White Rabbit – Jefferson Airplane, Grace Slick vcls

4. Listen to and describe each of the following three recordings of music by Janis Joplin. Describe her vocal style and list her musical influences:

a) Summertime – Janis/Big Brother & the Holding Company

b) Piece Of My Heart

c) Ball and Chain (excerpt)

5. Traditional Scottish, Irish, and German folk musics transculturate via immigration and a new way of life in the southern Appalachian mountains of the United States. This cultural synthesis evolves into a post 1945 form of music known as Bluegrass. The standard instruments in Bluegrass music are the five-string banjo, fiddle (violin), mandolin, guitar, and string bass.

Listen to and describe the following Bluegrass recording by the “founder” of the style-Bill Monroe. What characteristics make this music attractive to listen to? Listen for the function or role each instrument and voice part has in this unique music.

“Why Did You Wander?” – Bill Monroe and his Blue Grass Boys – This recording from 1946 features: Lester Flatt – lead vocal & guitar Bill Monroe – tenor (high) vocal & mandolin Earl Scruggs – banjo Chubby Wise – fiddle Howard Watts – bass

6. As you listen to the following selections by The Grateful Dead, listen for what Nathan Rubin refers to as “the joyful Weavers-influenced bluegrass, blues and gospel mixture played by the Dead.” Describe and list your musical observations to each of the following four songs by The Grateful Dead:

Explanation & Answer

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